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All Noyaki: Wildfire Earthenware on Kanazawa’s Beach

Noyaki: Wildfire Earthenware on Kanazawa’s Beach

26.09.2018
The pottery master, Seppou Iida, surveys the baking grounds as the sun sets on Kanaiwa Beach in Kanazawa, Japan

Once every summer, just as the temperatures are coming down from their peak, a god of fire is called to work the creation of a unique kind of Japanese earthenware on Kanazawa’s shores.

Noyaki, literally translated as “wild burning” or “wild baking,” has been the yearly ritual of the family-run Hokutoh Pottery House for almost half a century.

Dried rice hulls are used to fuel the initial fires of noyaki pottery baking. Master Iida overseas the slow burn of the wild kiln of noyaki, earthenware baking on Kanaiwa Beach in Kanazawa, Japan.

In the months leading up to the event, masters and amateurs alike throw clay to make a variety of objects: bowls, vases, lanterns, and a myriad of statues and figures. No turntables are used for these low-heat works. No paints or glaze will be added. Only the fire adds finish.

On Kanazawa’s beaches, south of Uchinada and very near Ono, bamboo posts are connected by strings with dangling shide, the white paper of Shinto practice, marking a sacred spot. Hokutoh’s master, Seppou Iida, pours sake over the ground, further purifying it, making way for a fire god to bless it for the next twenty-four hours.

After igniting a ritual torch, a number of fires are set under metal crates, each with a smoke stack, allowing the fires to breathe. The unbaked earthenware is arranged around the crates and packed with cast off hulls of rice. Closest to the stacks, the hulls quickly blacken, then ashen. The god has begun to work.

The burning rice hulls of noyaki, wild fire pottery baking.

Temperatures reach above 800°C, but remain cooler than those used for porcelain. This low burn is kept throughout the night. Come wind or rain, Hokutoh members keep vigil over the ritual fire, never allowing it to go out until the baking is completed the following midday.

More wood is added to the noyaki fire for a burst of heat as the sun begins to set. Master Iida brings a torch for the wood to turn the wild kiln into a bonfire. Noyaki, the wild fire kiln, turns into a bonfire after sunset. The rice hulls turn to ash in the morning at Kanazawa's Noyaki event.

By morning, all that is left of the fire is smoldering ash, mimicking mist across a Japanese hillside.

When time is up, the master calls the men over to unveil the finished works. Men suit up in long sleeves and overalls, covering their heads with hats and towels, and their eyes with goggles. Women haul buckets of water into large plastic tanks.

Straw brooms catch fire as the men brush away the burned and still burning hulls of rice. They work carefully not to damage the pieces underneath, and with gloved hands, they carry each to the outer edges of the baking area to cool. Occasionally, they stop to dip their bodies waste down into a tank of water before heading back to the fire.

Suiting up to face the noyaki fire and retrieve the completed pottery. The brooms that brush the burning rice hulls catch fire as they reveal the completed earthenware pottery pieces. Man dips himself in water to cool and protect himself from fire during the wild fire earthenware baking event in Kanazawa, Noyaki.

In Noyaki, it is the god who decides how each piece of earthenware will bake and color. Most take on the charcoal color of the rice soot. Many have a swirling mix of black and the clay’s natural adobe hue. A very few that have burned the hottest, will appear ashen or silver.

Baked earthenware from the Noyaki wildfire kiln takes on variegated colors of adobe, black, and silver. The silver on this earthenware piece shows exposure to the hotest areas of the fire.

Tired, boiling hot, and relieved at the success, the potters cry with joy. This last year, about 800 ceramics came out of the fire. Thanks is offered once more to the god of fire, and the torch is finally allowed to rest.

Cloudy sun setting over the leves of Kanaiwa's beach, in Kanazawa, Japan.

Non-members of Hokutoh are welcome to join this event as well as participate in Japanese ceramic creation throughout the year. Availability is limited to select days. Prices vary. (The special Noyaki event starts at 10,000 yen and includes meals during the vigil.) Please note that the event, website, and staff interactions are only in Japanese.

Hokutoh Pottery House is located near Honda Forest and the D.T. Suzuki Museum. On fair days in spring, summer and autumn, the gates to it and the surrounding Shofukoku Garden are open. Handcrafted items in the shop’s front gallery are available for sale.

photos by Nik van der Giesen

Ryann
Ryann

Half a decade ago Ryann fell off a bus and then fell in love with this traditional-crafts and ice-cream-consuming capital of Japan. Editor and amateur photographer with a penchant for nature and history. Not actually fifty songbirds in a trench coat.